The Endgame Dilemma

One of the most criticized and praised elements in more recent “themepark” MMORPGs is the concept of “endgame.”  A themepark MMO is a static world that remains largely unaffected by player actions.  It can be described as a backdrop where players are “led” through quests (with many pointers and hints making it difficult to fail at the task.)  Players critical of themeparks joke about games being “on rails” like a rollercoaster ride at a themepark.   Eventually—the time varies depending how frequently the person plays—the character completes most of the quests and reaches “max level” or “level cap,” and endgame.    This is simplified, of course; there are often additional ways to reach max-level besides questing, including player-vs-player (PVP) battlegrounds, crafting, and instanced dungeons.

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Funcom’s Trying Something New with The Secret World

Well, it’s been a few months since The Secret World (TSW) launched, and of the new games arriving – Guild Wars 2, Mists of Pandaria – this is the one I find myself returning to.  A big part of the reason is the setting – there’s simply no other game quite like it.

The Setting

The Secret World is set in the modern day, but with one critical difference – the stuff of dreams, nightmares and mythology have begun manifesting in the waking world.  Zombies, Lovecraftian horrors, ghosts, the wendigo and sasquatch of indian legend, Slavic vampires and more have made their way into our countrysides and cities, all with the seeming intent of destroying our world.  There’s a hint at some kind of power behind this invasion, and player characters begin their creation by being “selected” somehow by a mysterious force, (imparted by magical “bees”) that imbue them with extraordinary powers.

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Promoting Social Play in MMORPGs

The biggest selling point for the MMORPGs is the “massively multiplayer” part of the acronym.  At the time that many small Dungeons & Dragons groups were gathering 3-8 players around the dining room table, folks at Essex University in the UK were creating the first text-based “MUDs” or multi-user dungeons that could have as many users all playing in a shared virtual world.

While on the surface it would seem that there is a lot in common between these two scenarios, they are actually quite different – the former has a small group of players sitting face-to-face and working through a roleplaying scenario using the standard rules of conduct of any public social interaction.  Sure, they may be playing in character, but because the person is sitting directly across the table, all the power of verbal and non-verbal communication is at the group’s disposal, making for an infinitely complex and memorable session.  In an MUD, the number of players was greatly increased, but there comes with that a great deal more anonymity, and none of the non-verbal methods of communication one can have in-person.  Communication was by text only.  It’s the difference between a small town where you know all the neighbors and a big city where thousands of strangers walk by without ever speaking to each other.  Ironically, while it became much easier to gather large groups of gamers in a MUD, it’s was still very difficult to produce the quality of interaction you’d get in a small tabletop roleplaying session.

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